A STAR IS RISEN
“Bruno is Baron Cohen’s follow-up to Borat, his hugely popular piece of guerilla performance art cum gross-out comedy.” (Katrina Onstad, FILM REVIEW -Bruno – Sacha Baron Cohen’s latest film is hilarious, unbearable and troubling — sometimes all at once, CBC News, 11 Jul 2009)
“GROSS OUT” WORKS OF ART
“Gross out”? That means appalling. Which reminds us immediately of the Antichrist film from Jewish director Lars von Trier. That’s the film where “Von Trier was suggesting with his film that “woman should be burnt at the stake so that man 
can finally stand up.”" (‘AntiChrist’ gets ‘anti-prize’ at Cannes, AFP, 23 May 2009) Plenty of mutilation and “shocking” abuse.
Of course, Mr. Cohen is, just like Lars von Trier, “an observant, Hebrew-speaking Jew with close ties to Israel”. (Aron Heller, Bruno has a gay ole time in the Holy Land, AP, 17 Jul 2009)
In Mr. Trier’s film, there was “graphically-portrayed sexual mutilation.” (Mike Collett-White, Lars von Trier film “Antichrist” shocks Cannes, Reuters, 17 May 2009)
JEWISH WORKS OF ART GREETED WITH DISDAIN
In Mr. Cohen’s film, there are, of course, also victims: “Bruno’s flamboyant sashay across the Middle East has succeeded in one thing — uniting Sacha Baron Cohen’s unwitting Israeli and Palestinian victims in their joint disdain for his latest comedic creation.” (Heller, supra)
“Danish director Lars von Trier elicited derisive laughter, gasps of disbelief, a smattering of applause and loud boos on Sunday as the credits rolled on his drama “Antichrist” at the Cannes film festival.” (Mike Collett-White, supra)
BY BOTH JEWS AND CHRISTIANS
This disdain cannot be thought of as anti-Semitic, because Jews are also appalled by these artists: “he nearly sparks a riot in an ultra-Orthodox Jewish neighborhood in Jerusalem when he struts down the street in a sexed-up Hassidic outfit that includes skintight shorts.” (Heller, supra)
And why is it that this “disdain” seems to attach to the works of Jewish artists?
OFFICIAL ORTHODOX JEWISH POSITION
Probably because these works are offensive:
“Jonathan Rosenblum, an ultra-Orthodox columnist, said he hasn’t viewed the scene but said the reaction was to be expected.
“It was offensive. It was meant to be offensive and it succeeded”" (Heller, supra)
Not surprisingly, Henry Ford agrees with this correct sentiment:
“Not only the “legitimate” stage, so-called, but the motion picture industry – the fifth greatest of all industries – is also entirely Jew-controlled; with the natural sequence that the civilized world is increasingly antagonistic to the trivializing and demoralizing influence of that form of entertainment as at present managed.
As soon as the Jew gained control of American liquor, we had a liquor problem with drastic consequences. As soon as the Jew gained control of the “movies” we had a movie problem, the consequences of which are visible.” (Henry Ford, The International Jew, 1920)
So, what was so offensive about all this?
LIES
“”This man, I think he is not a man,” said Ayman Abu Aita, a former member of the Al-Aqsa Martyrs’ Brigades, a militant group that has been largely disbanded. “He is not saying the truth about me. He lied.“” (Heller, supra)
And where have we seen that sort of thing just lately? Right in the country where “The plotters had been active without pause. They controlled four-fifths of the press and put out false propaganda as well as anti-government articles, some of which were written by CIA experts.” (Homa Katouzian, Musaddiq and the struggle for power in Iran, I.B.Tauris & Co Ltd, 1990, p 188)
OFFENSIVE ART WORK ATTRACTS DISDAIN
“False propaganda”? That means lies. The con artists putting out this material find that their professional work is increasingly 
greeted with disdain. Because “It was offensive. It was meant to be offensive and it succeeded”" (as per Heller, supra)
“Mousavi appears driven to maintain his opposition and even to raise the stakes.” “”A majority of the people — including me — do not accept its political legitimacy,” he said of the regime, adding: “There’s a danger ahead.”" (Jim Heintz, Iran reports more protest arrests, AP, 2 Jul 2009) And this just after an election which the Iranian government won.
FALSE PROPAGANDA
While it may be true that Mr. Mousavi doesn’t accept the results, he provides ZERO factual support for his contention that a “majority of the people” do not. He’s engaged in fabrication, or, as Ayman Abu Aita would say it: “He is not saying the truth … He lied.“” (Heller, supra)
So how can this bluffer possibly get star billing — the status where everything he wants published gets uncritically promoted by the worldwide, Jewish press? “The Theater is swamped in numerous “stars” that never really rose and certainly never shone, but which were hoisted high on the advertising walls of the Jewish theatrical syndicates in order to give the public the impression that these feeble lanternlights were in the highest heaven of dramatic achievement. The trick is a department store trick. It is sheer advertising strategy. Whereas in normal times a discriminating public made the “star” by their acclaim, nowadays the Jewish managers determine by their advertisements who the star shall be.” (Ford, supra)
Like some advertising in a Time Magazine cover story!! But just check the full spectrum of Jewish publications for the mass goy market. They all hoist high this start who “never really rose and certainly never shone“.
THREE EXAMPLES
We’ve studied three Jewish actors here. All of them produce work which is generally disdained by decent people. Because “It was offensive. It was meant to be offensive and it succeeded”" (as per Heller, supra)
But all of these “stars” receives heavy promotion. Consider this recommendation from the Jewish outlet NRK:
“«Antichrist» tar oss med på en intens og høyst ukomfortabel reise inn i galskapen, en reise som kanskje også innebærer en eksorsisme av regissørens egne demoner.” (Anne Hof, – Ikke la deg skremme!, 6 Jun 2009)
The title says a lot: Don’t let yourself be scared. Instead, let this talented Jewish director guide you on an intense and extremely uncomfortable trip in to insanity, a trip which can also lead to an exorcism of the demons dwelling within the director.
In previous lessons, we’ve often discussed demons and the work of the devil (see here and here). Just religious fanaticism? Not according to NRK. The Jew Lars von Trier is possessed of demons, according to this prestigious Jewish organ.
“Og slett ikke det verste som har vært vist på norske kinoer.” (Hof, supra) But let’s say you don’t want to make a trip into the depths of insanity, and really don’t care to see the demons at work. There’s still a reason to visit the film. According to NRK, its not the worst that has been shown in Norwegian cinemas.
“Thus we reach the conclusion that a Jew is a person who considers himself a Jew and is so considered by others. Which, of course, does not change the fact that to be Jewish is a state of mind, except that now we have recognized that the state, or position, of more than one mind is involved: that of the individual whose Jewishness is being adjudged, and that of his social environment.” (Raphael Patai, The Jewish Mind, 1996, Wayne State University Press, p 24)
State of mind? “galskapen, en reise som kanskje også innebærer en eksorsisme av regissørens egne demoner” (Hof, supra) Insanity, mingled with demonic possession. According to NRK.
And what is Mr. Mousavi’s “social environment”? Oh, just the usual. A pack of MI6 and CIA types, together with the Jewish journalists of the world.
And they’ve given him that uncritical “thumbs up” reserved for other Jewish actors/directors like Mr. Cohen and Mr. Trier.
And can thousands of Jewish journalists be wrong when they recognize their countryman?
“Thus, in the course of a few weeks it was possible to conjure up names out of the void, to associate them with incredible hopes on the part of the broad public, even to give them a popularity which the really great man often does not obtain his whole life long; names which a month before no one had even seen or heard of, while at the same time old and proved figures of political or other public life, though in the best of health, simply died as far as their fellow men were concemed, or were heaped with such vile insults that their names soon threatened to become the symbol of some definite act of infamy or villainy. We must study this vile Jewish technique of emptying garbage pails full of the vilest slanders and defamations from hundreds and hundreds of sources at once, suddenly and as if by magic, on the clean garments of honorable men, if we are fully to appreciate the entire menace represented by these scoundrels of the press.
There is absolutely nothing one of these spiritual robber barons will not do to achieve his savory aims.” (Adolf Hitler, Mein Kampf)
ALL-OUT EFFORT TO TAKE OVER THE COUNTRY
After all, “the plotters were ready to go to any lengths, including a full-scale civil war.” (Katouzian, supra, p 190)
NO TACTIC TOO DIRTY FOR THESE PEOPLE
Any lengths? “”It’s in the United States’ national interest to make sure that we have employed all elements at our disposal, including diplomacy, to prevent Iran from achieving that nuclear capacity,” Susan Rice, the U.S. ambassador to the United Nations, said on CBS’ “Face the Nation.”” (William Kole, Iran: No downgrade of diplomatic ties with Britain, AP, 29 Jun 2009) All elements? Oh, how about false propaganda, lies, and the murder of Neda Soltan. Etc., etc.
As the Jewish secretary of state in America, Hillary Clinton put it: “We also have made it clear that we’ll take actions — as I’ve said time and time again, crippling action”. (Hillary Clinton, cited in Robert Burns, Clinton declares the US ‘is back’ in Asia, AP, 22 Jul 2009) And this time, this Jew is telling the truth. As we see in the matter of Neda Soltan, who has been crippled — for life.
A huge loss for Neda Soltan and her family, but for the American special forces snipers? Its just another day on the front lines of the war against terror.
So whether its taking down innocent women on the streets, or taking over an oil-rich country, or just corrupting the morals of the world, these “plotters were ready to go to any lengths” (as per Katouzian, supra, p 190) But I guess that’s just how they try to exorcise their demons. (as per Hof, supra)
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